Starting a Historical Fiction Series †A Reedsy Success Story

Starting a Historical Fiction Series – A Reedsy Success Story Starting a Historical Fiction Series – A Reedsy Success Story Author R.P. Wollbaum is another example of the tremendous opportunity that indie-publishing represents for writers. He self-published his first book in 2015 and is now working on book 5 of his Bears and Eagles series. He has found his editor and cover designer through Reedsy and has been working with them ever since. His story is quite nice, so we thought we'd let him share it on our blog.I have always been interested in history. As a young lad, I used to listen to the old-timers talk about the old country. There were still a few around that had been born in what they called Russia, now called Ukraine, and they talked about life there. They also talked about life in their new home, Canada and how there had been literally nothing but open sky and prairie when they had arrived. They even told stories they had heard from  their grandfather about life in the ‘Old Country’, and the struggles they faced to make a life for themselves.I had always had an interest in writing. B ut writing things in longhand - my handwriting is terrible- then transcribing them by typewriter was a pain and any hope of finding someone to publish your work was almost impossible. So it was just an infrequent hobby for me.Then life in Canada changed and our young men and women were once again losing their lives in war. This time in Afghanistan and a young man serving as a member of the King’s Own Calgary Regiment lost his life. Most of us in Canada know of the Princess Patricia’s Canadian Light Infantry (PPCLI) Battalion. Albertans know about the Lord Strathcona Horse (an armored brigade), and Calgarians know about the Calgary Highlanders. They are all famous Canadian regiments. But the King’s Own Calgary Regiment? Who were they?So I researched this little-known cavalry brigade and thought to myself, what led this young man from a country not known for its military history, to join a reserve reconnaissance battalion? A plotline developed and I worked backwa rd in time to come to a starting point in the late nineteenth century when things were much like they are today, but I definitely still needed to do some worldbuilding. Huge Imperial Empires were dueling over land and prestige. Islamic fundamentalists were fighting to expand their territories and Christians were fighting them.I placed a young educated man, Russian born to German emigrants and his younger brother in a Cossack battalion along with other younger sons of other German families and progressed from there. Each book of the Bears and Eagles series follows the next generation of this family and I place them in times and events that did occur, but perhaps not exactly how or when.The explosion of indie-produced writers made the decision to publish easy, and I made a choice early on to obtain professional help for editing and book cover design. I had enough budget to edit two novels and one book cover. So I published Bears and Eagles, the first book in the series. It was well re ceived for a first effort by an unknown author.My original cover was eye-catching, but its retro art was not particularly suited to my theme. That is when I discovered Reedsy and the services they provided. I chose Dane Low to be my cover artist. Not only was he easy to work with, but I thought his addition of a battle scene into the background of the design was masterful. He is my choice as cover artist for the rest of the series.The original editor I had hired did a good job, but there were mistakes. So I again looked to Reedsy for help. I am a guy. I write for guys, but I have many powerful female characters in my novels, and I made the decision to find a female editor to work with. Kate O’Donnell and I came to an agreement for an editorial assessment of Eagles Claw and right away we had a connection. I take most of what she wants me to do to heart. Although we speak the same language, we have different cultures and usages of language that have to be ironed out at times. S he is Australian, I’m not, and my target market is North American males; but we are able to compromise, both of us being a little quirky and offbeat in our own ways.She was my sole choice for Eagles Talon, the third release of the series. She performed the whole editing process for me and did fantastic work. My work is now being noticed, even though I only first published last June. Kobo has recently asked me to participate in a pilot project they are putting together that may see my hard copies distributed with the Indigo chain. Kate is about to do an editorial assessment of the fifth novel in the series, and I am about to begin rewrites on book four, for which she did everything - from an editorial assessment to a full and substantial copy edit.I have expanded my distribution beyond Amazon and Kobo and have found that other sales channels, for me, sell as well or better than Amazon.  My Reedsy experience has been fantastic. Soon I will be searching for a marketing profess ional to join my team and will be looking to Reedsy once again.My journey continues.You can check out R.P. Wollbaum's Bears and Eagles series on Amazon here.  As always, feel free to leave any questions for R.P. Wollbaum in the comments below. And if you're ready to follow his example and looking for an editor, designer, or marketer, take a look at Reedsy here!

The Stick-Built House (In Situ)

The Stick-Built House (In Situ) A stick-built home is a wooden framed house constructed on a building site piece by piece (or stick by stick). It describes the process or how a home is built. Manufactured, modular, and prefabricated homes are not classified as stick-built, because they are made mostly in the factory, transported to the site, and then assembled. A custom home and a home made according to stock building plans may both be stick-built, provided that they are constructed board-by-board on the land where they will remain. Stick-built describes the construction method and not the design. Other names for stick-built homes include site built, hard construction, and in situ. What Is In Situ? In situ is Latin for in place or in position. It can be pronounced a number of ways, including  in-SIT-oo, in-SITCH-oo, and most correctly in-SEYE-too. Because commercial architecture is not generally made out of sticks of wood, the Latin in situ is often used to describe a process of building commercial properties or, more often, producing construction materials on site. For example, in situ concrete means cast-in-place concrete. That is, the concrete is molded and cured (i.e., cast) on the construction site, as opposed to pre-cast concrete (e.g., columns or beams made in a factory and transported to the construction site). One of the green methods used for the London 2012 summer Olympic Games was to provide a batching plant onsite, a one-source supplier of low-carbon concrete for all of the builders of Olympic Park. Concrete was mixed and poured in situ. In situ construction methods are thought to be more environmentally friendly. The main reason behind this belief is reducing the harmful effects of transporting beam after beam and pier after pier. Pros and Cons of Stick-Built Homes A common perception is that stick-built homes are better constructed, last longer, and have a better resale value than prefabricated or modular homes. This perception may or may not be true. Comparisons depend on the quality of the manufactured product versus the workmanship of a builder or carpenter. The major advantage for the home builder is in control. The contractor is in command of the materials and how they are assembled. Likewise, home owners also have certain administrative rights as they can oversee the piece-by-piece construction of their investment when its built in situ. Disadvantages: Common perceptions against stick-built homes involve time and money - that is, stick-built homes take more time to build and they cost more than house pieces built off-site and simply assembled onsite. Competitors also claim that continuous construction traffic to and from the building site makes the stick-built process less than a green building environment. These perceptions may or may not be true. Pushback From Prefabricators Stick-building is a traditional method being challenged by the marketers of modular and prefabricated methods. American Custom Builders, an independent modular home builder in Defiance, Ohio, describes why a system of prefabrication is better than stick built for these reasons: Stick built home have no controlled environment like a factory does - building outdoors in humidity and water can damage wood and cause delays. They say: A stick builder cannot control the weather....Our homes are all built indoors under a temperature controlled environment.Frame carpenters can take short-cuts youll never know about. They say: With An All American Home they use jigs to make sure the walls are straight and square.Stick-built homes take three times longer to build than prefabricated homes. They say: When the house is delivered, we will have it up in aprox. 9 hours.Homes built off-site are less expensive. They say: Will match our prices against his, any day! In Situ Architecture In situ architecture is a structure designed for a particular place, a specific environment, and a known site. Stick-built houses may be constructed onsite, but that doesnt mean that the building was designed architecturally for that land. Portland, Oregon architect Jeff Stern seeks to create architecture that is site specific....to capture the experience of a particular place; how the sunlight falls, and the rise and fall of the land....maintain and create strong views, maximize daylight and natural ventilation, and generally create a place better than when we began. The name of his architectural firm is In Situ Architecture. Resources and Further Reading BOCA Built, American Custom Builders, americancustombuilder.com/bocabuilt.htm [accessed September 8, 2015]About In Situ Architecture, insituarchitecture.net/about/ [accessed September 8, 2015]